Alma 36 & 46: Exodus and Liberty

Calvinists maintained that although the Old Testament was superseded by Christ’s acts, the Old Testament was still worth reading because of its types and examples.

Types are stand-ins for Christ: that is, they are seen as forerunners to the coming of Christ (and latter-day events).

Examples are lessons about other things, such as leadership.

And, in truth, just about every "Sunday School" in the United States in just about every church of just about any denomination uses these two approaches. The Puritans in New England were more erudite about it and had a better grasp of context. But pointing to a scripture and saying, “Make this about whatever you want” is, let’s face it, way easier than pondering how and why it was written in the first place (and then what that means to a reader).

I personally think the type-and-example approach has gone too far in the navel-gazing-everything-is-relative direction.

However, I must concede that the story of the Exodus is impressively powerful as a type and example. And has been used by multiple American groups over the years, from the Puritans to African-Americans brought over as slaves. 

As a metaphor, it carries, much like Campbell’s Hero Myth. In Alma 36, Alma references the Exodus when he discusses his redemption from a sinful state. He is being literal--"brought our fathers out of Egypt"--while also quite deliberately embracing the image's symbolism: "[God] delivered them out of bondage and captivity, from time to time even down to the present day; and I have always retained in remembrance their captivity; yea, and ye also ought to retain in remembrance, as I have done, their captivity" (36:29).

"Captivity" was a memory for Americans. Release from captivity, for instance, was used by Revolutionary War pamphleteers. Stuart Halpern in “The Exodus: American’s Ever-Present Inspiration” points out that Thomas Paine and various ministers referenced the Exodus. King George was naturally Pharaoh, a viewpoint shared by much of Joseph Smith’s original audience.

The Title of Liberty raised by Moroni in Alma 46 is against a king. Even more importantly, the scene is associated with a piece of land:

[Moroni] named all the land which was south of the land Desolation, yea, and in fine, all the land, both on the north and on the south—A chosen land, and the land of liberty. (Alma 46:17)

Nineteenth century readers would have related--not only because they knew their Bible--and not only because of the Revolutionary War--and not only because nineteenth-century Americans were searching for links between them and the "Old World"--but also because land was still the operating indicator of freedom, as it has been through much of history.  Freedom = you get land for yourself.